This impressed me when I was the editor of the Sunday Times [of London] - we had the "Bloody Sunday" killings of 13 unarmed civilians by British paratroopers. We interviewed 500 people for our report, and not one of them could give us a total picture of what was happening. It was like the Rashomon effect multiplied a million times. For a website or even a newspaper to be a collector of information flow is not the highest form of journalism.

My wife [Tina Brown] co-founded the Daily Beast, so I have no hostility to the web or Internet. A number of print friends of mine regard it as the worst thing that's ever happened, but I don't.

For 50 years my father worked for the railroad.

We always talk about how everyone is unifocal. You can't possibly be interested in jazz and Beethoven. Of course you can. You can't both be reading a newspaper and be online. Of course you can. We shouldn't be obsessed with a gun to your head, 'You either read a newspaper or die!'

Transmitting information is easier than creating understanding.

The camera cannot lie, but it can be an accessory to untruth.

I had been at the newspaper for a few months. It wasn’t regarded as the paper, it was their paper. There was a sense of community because they reported, we reported, I reported the little things, the whist drives, the weddings, the funerals, the little speeches. In one sense it was the most boring copy in the world to anyone picking it up, but, on the other hand, it was crucial to the people who lived in those communities.