[We need to] protect copyright at all costs. Don't do cheap deals with Google and these other cyber-monsters. Recognize that the creative artist has to be maintained.

If Rupert Murdoch wants to charge for content online, he will succeed in so far, but no further than what he provides that is unique and can't be found anywhere. It doesn't seem to me that if he wants to charge it will be a blow to universal freedom and liberty of mankind.

I think there's a lot of benefit in letting people vent. When I was on the Manchester Evening News, we got 500 letters a day, and part of my job as editor was to edit them. And I thought that was one of the best things in the newspaper, and it was instituted by an editor known as Big Tom, who said 'this is the voice of the people.' And he was quite right.

I think a lot of newspapers have lost touch with that sense of community, which so impressed me as a teenager when I had to knock on people's doors.

I wrote about Bosnia at the time. Somebody looked out their window and saw gangsters coming down the street and doing ethnic cleansing. I said that was the thing that would happen in the future, someone phoning in what they were seeing on the scene. Whether it's the Huffington Post, the Daily Beast, Drudge Report or the BBC, all those reports, you have to assume there's a real person [who] has credibility.

I often see cases of Internet news where there's no reconciliation for what's gone before and what's newly arrived. That training for me - which was absolutely brutal and I was terrified - was so important, especially later in life when one was faced with conflicting stories and conflicting evidence.

Actions are always more complex and nuanced than they seem. We have to be willing to wrestle with paradox in pursuing understanding.