I'm looking at my window right now and it's a perfect blue sky. And if you ask people about Sept. 11, the one thing they'll tell you is how serenely, awesomely, perfectly blue the sky was. The juxtaposition of how the day began and what happened is jarring even now.

The one thing that's missing from the 9/11 Memorial & Museum, and I don't imagine we'll see it any time soon, is that there's no memorial to the hundreds of thousands of Iraqis who died because of how the memory of 9/11 was used. Memory is a very interesting thing. We very selectively curate our story and then stop when it begins to tell other people's stories and forces us to accept some kind of culpability. One reason I write is that there's not enough Muslims writing, Pakistanis writing, not enough people of faith writing about the complexities of our experiences.

You aim comedy up. If comedy is aimed down, you're a jerk. You laugh at the powerful as a way of bringing them down to your level or bring yourself up to theirs. Donald Trump doesn't actually laugh. I've never seen him do anything other than smirking. He doesn't have a sense of humour. He's just mean.

What I want is to talk about how someone raised Muslim struggles with the same stuff that everyone else theoretically could. Obviously, the particulars are different, but everybody can sympathize with being forced to answer for their identity, the colour of their skin or their religion. A lot of people struggle with mental illness or romance or failed marriages - these are all parts of my own struggle. I read them through the lens of Islam because that's the particular language I grew up in, but the grammar is universal.

There are so many stories that need to be told and are not being told. We tend to want to put things in boxes: "This is a memoir about a Muslim," or "This is a memoir about a woman or a normal personal." There's a certain story that assumes to be universal. Everyone else is ethnic fiction. Anyone can aspire to universality.

I think that every individual is a microcosm of the culture that they're born into. They reflect the anxieties, insecurities, and strengths of that culture. I'm also American and I reflect on what it's like to be an American in the 21st century.

I'm looking at my window right now and it's a perfect blue sky. And if you ask people about Sept. 11, the one thing they'll tell you is how serenely, awesomely, perfectly blue the sky was. The juxtaposition of how the day began and what happened is jarring even now.