Haroon Moghul Quotes

There are times when I think being bipolar gives me the ability to see and want and write things that other people cannot and do not. One of those is writing. Creativity is something that co-presents with bipolarity. There are other times when being bipolar legitimately sucks and leads you to a point where you want to kill yourself. Very odd thing when your brain which, evolutionarily speaking, should want you to survive is telling you to die.

It's been nineteen days since I've had a suicidal impulse. One of the things that pulls me back is I think to myself, and as a Muslim, I believe that God created everything and intended everything and here we are in this unbelievably vast universe that's billions of years old. And yet, here I am, an individual human being, in a little corner of the galaxy and planet that is remarkable in some ways and unremarkable in others. All I wish is to say that He meant for every single person who's ever lived to live. I don't necessarily understand why but that was His choice and here I am.

Humour is a way of relating and connecting to people, especially when you're a minority or misunderstood. It has the power that other forms of conversations or writing don't have. With all the problems I had, sometimes the only way of coping with it is to make fun of yourself.

There are companies like Facebook that wield tremendous power over how Americans understand the world. Do they have a social responsibility now? That's the question we're only beginning to ask. Literature still has this power to do things that other forms of media don't have. The process of reading and writing and having arguments about ideas is valuable. I'm afraid it's something we're losing.

The one thing that's missing from the 9/11 Memorial & Museum, and I don't imagine we'll see it any time soon, is that there's no memorial to the hundreds of thousands of Iraqis who died because of how the memory of 9/11 was used. Memory is a very interesting thing. We very selectively curate our story and then stop when it begins to tell other people's stories and forces us to accept some kind of culpability. One reason I write is that there's not enough Muslims writing, Pakistanis writing, not enough people of faith writing about the complexities of our experiences.

The Transportation Security Administration has probably converted more people to Islam than any religious order in the last 100 years. It doesn't matter how you choose to self-identify or even if your religiosity is private; when you get to the airport you know how you're going to be treated based on your name. Possibly also because of the colour of your skin and the colour of your passport.

I think that every individual is a microcosm of the culture that they're born into. They reflect the anxieties, insecurities, and strengths of that culture. I'm also American and I reflect on what it's like to be an American in the 21st century.

When I was growing up, we often heard Islam in the form of a slogan: "Islam is the solution," but no one ever told me that Islam can be a burden... Very few Muslims write about Islam creatively because I don't think we're given permission to. I think that's the bane of modern Islam. It's been reduced to slogans.

You aim comedy up. If comedy is aimed down, you're a jerk. You laugh at the powerful as a way of bringing them down to your level or bring yourself up to theirs. Donald Trump doesn't actually laugh. I've never seen him do anything other than smirking. He doesn't have a sense of humour. He's just mean.

I'm looking at my window right now and it's a perfect blue sky. And if you ask people about Sept. 11, the one thing they'll tell you is how serenely, awesomely, perfectly blue the sky was. The juxtaposition of how the day began and what happened is jarring even now.

My initial fear was that Trump would be something in the order of an American fascist, be militaristic and aggressive. My take on it after the first 100 days is that he's dangerous in a different way. Fascists are dangerous because they're competent people. Trump is incompetent. My fear is not just as an American Muslim, although that's part of it, but as an American who believes very strongly in the idea of a pluralistic, cosmopolitan, transatlantic Western identity. What he's doing to the West and the United States, I don't think the U.S. can recover from this.

There is a dearth of imagination and I think that's an understatement in a modern Muslim world. There is very little willingness to imagine different modes of existence and difference types of societies. On the American front, a lot of Muslims ask me, how do we respond to Islamophobia? What I say is, when you love someone or you love something, you put that thing or that person ahead of yourself. If you love America, then you put America ahead of yourself and you answer the question about Islamophobia, not in terms of how it affects you as a minority, but how it affects America at large.

I was raised with this consciousness of being part of this global Muslim community. At the same time, I didn't even know if I wanted to be Muslim. It was this incredibly complicated moment: I just needed to balance these two things where you care about people on some deep level who are my co-religion and are being killed because of their religion. Then, at the same time, I'm like ah, I don't really know if I want this.

After September 11 there was feeling obligated to respond, and allow other people to set the terms of the conversation. There was this ritualistic condemnation of terrorism. I'm not saying that that's unimportant, but it became the case that the Muslim people in the United States or in other parts of the world were inclusively taking on responsibility for things that they had nothing to do with. Of course, it's very important that a community define its moral boundaries. A community also must acknowledge what it can and cannot control.

There are three stories that are foundational to the Islamic narrative in which women, and in two of the three cases, single women, are not just part of the story. They're at the very center of the story. Yet, that is not something that you would imagine to be true if you survey the Muslim world from the outside or from the inside. Part of the reason is that we don't really take our text seriously. We don't take our stories seriously. We're almost afraid of thinking complicated thoughts.

Writing something down and processing it, sitting with a text and a story, editing and rewriting new drafts - that entire process helps clarify something for myself. Depending on the person, the act of trying to tell your story helps you understand yourself better, helps you come to terms with something that happened.

I have no expertise of other religious traditions so I'm not going to opine on them, but in Islam the more you know about the religion, the more likely you're going to go to hell. Many people will find that paradoxical because we tend to think of religion as a way of making ourselves feel better and a way of damning and excluding infidels or reprobates or heretics or what have you. It was very hard for me to find an Islam that belongs to me and doesn't feel like it's been imposed on me.

There are so many stories that need to be told and are not being told. We tend to want to put things in boxes: "This is a memoir about a Muslim," or "This is a memoir about a woman or a normal personal." There's a certain story that assumes to be universal. Everyone else is ethnic fiction. Anyone can aspire to universality.

I think growing up, we always try to make sense of who we are, what we go through, and I grew up in a very religious household. I interpreted what was wrong with me through religious language and I concluded, probably because of a combination of forces around me, that there was something in me that God didn't like or was unhappy with. Since these problems were in large part congenital, that meant that I was doomed from the beginning. I didn't have a chance.

If you are an American Muslim, you live in a community that is really struggling to get its feet off the ground. We're a very young community, so to speak, institutionally and otherwise. The way in which we're portrayed it's like we're the empire from Star Wars and the truth is that we'd be lucky to be the Rebel Alliance.

What I want is to talk about how someone raised Muslim struggles with the same stuff that everyone else theoretically could. Obviously, the particulars are different, but everybody can sympathize with being forced to answer for their identity, the colour of their skin or their religion. A lot of people struggle with mental illness or romance or failed marriages - these are all parts of my own struggle. I read them through the lens of Islam because that's the particular language I grew up in, but the grammar is universal.