The one thing that's missing from the 9/11 Memorial & Museum, and I don't imagine we'll see it any time soon, is that there's no memorial to the hundreds of thousands of Iraqis who died because of how the memory of 9/11 was used. Memory is a very interesting thing. We very selectively curate our story and then stop when it begins to tell other people's stories and forces us to accept some kind of culpability. One reason I write is that there's not enough Muslims writing, Pakistanis writing, not enough people of faith writing about the complexities of our experiences.

There are three stories that are foundational to the Islamic narrative in which women, and in two of the three cases, single women, are not just part of the story. They're at the very center of the story. Yet, that is not something that you would imagine to be true if you survey the Muslim world from the outside or from the inside. Part of the reason is that we don't really take our text seriously. We don't take our stories seriously. We're almost afraid of thinking complicated thoughts.

Humour is a way of relating and connecting to people, especially when you're a minority or misunderstood. It has the power that other forms of conversations or writing don't have. With all the problems I had, sometimes the only way of coping with it is to make fun of yourself.

I think that every individual is a microcosm of the culture that they're born into. They reflect the anxieties, insecurities, and strengths of that culture. I'm also American and I reflect on what it's like to be an American in the 21st century.

You aim comedy up. If comedy is aimed down, you're a jerk. You laugh at the powerful as a way of bringing them down to your level or bring yourself up to theirs. Donald Trump doesn't actually laugh. I've never seen him do anything other than smirking. He doesn't have a sense of humour. He's just mean.

After September 11 there was feeling obligated to respond, and allow other people to set the terms of the conversation. There was this ritualistic condemnation of terrorism. I'm not saying that that's unimportant, but it became the case that the Muslim people in the United States or in other parts of the world were inclusively taking on responsibility for things that they had nothing to do with. Of course, it's very important that a community define its moral boundaries. A community also must acknowledge what it can and cannot control.

The one thing that's missing from the 9/11 Memorial & Museum, and I don't imagine we'll see it any time soon, is that there's no memorial to the hundreds of thousands of Iraqis who died because of how the memory of 9/11 was used. Memory is a very interesting thing. We very selectively curate our story and then stop when it begins to tell other people's stories and forces us to accept some kind of culpability. One reason I write is that there's not enough Muslims writing, Pakistanis writing, not enough people of faith writing about the complexities of our experiences.