Henry: Well I'm sorry about your head though, but I thought you were one of them. Indiana: Dad, they come in through the doors.

The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film.

What I think is important for a young person is to figure out how to be useful and not be so concentrated on themselves, but to see what they can do to make the overall collaboration with all the other people involved in a movie work better.

I don't think I have something that's pronounceable as a philosophy. ... When it was fashionable to say, "May the Force be with you," I always said, "Force yourself." ... I'll say again then, "The Force is within you. Force yourself."

It's the primordial characters [of the Star Wars]. It's the beautiful princess and the callow youth and the smartass that I played and the wise old warrior that Alec Guinness played. And it was a fairy tale. It was a fairy tale.

The capacity to create [visual] effects in the computer has made the job easier, but it has also introduced the complexity that you can with a few more keystrokes generate such a busy canvas that the eye doesn't know where to go. You lose human scale on an event and you're just wowed by the kinetics and the visualization. But, often in those cases I feel you lose touch with the human characters and what it is that they would feel and how they might feel, and that's still the most important part.

There are a lot of different paths through the jungle, but...the simplest thing you can do is make yourself useful. Be easy to work with, be a hard worker and help people get the job done. And do it with as much passion and quality as you can.