I love the comic opportunities that come up in the context of a father-son relationship.

The environment has become a political, polarizing issue.

I think you have to be very careful with effects that they don't overpower the story with the visual element.

I wanted to live the life, a different life. I didn't want to go to the same place every day and see the same people and do the same job. I wanted interesting challenges.

My occupation is assistant storyteller. It is not "icon."

I love the comic opportunities that come up in the context of a father-son relationship.

The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.