Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.

We Have Got To Bring Corporate America To Its Knees

Terrorism is in many, many ways the final utterance of voices unheard.

I think America offers a dream that cannot be fulfilled as easily anywhere else in the world as it could be fulfilled here. Although oppression was common to all of us, those styles of oppression gave us the opportunity to see the world in dimensions we didn't quite see growing up in any one place.

I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.

In poor environment, I find great inspiration. Many of the men and women whom I admire as artists, the things they write, the songs they sing, the admission is filled with inspired moments to overcome oppression.

I don't find inspiration on Wall Street. I don't find that in Beverly Hills. I don't find that in places where opportunity resides unbridled, and I think the real creative energy and the real juice is in where people are caught, in the economic abyss.