In poor environment, I find great inspiration. Many of the men and women whom I admire as artists, the things they write, the songs they sing, the admission is filled with inspired moments to overcome oppression.

I think now, with our technology, our capacity to grow food, our ability to stop raping the Earth and destroying the ecology and killing off fellow creatures, we have a chance to bring a new harmony and a new path to human development.

I don't know what America has really learned. We are too quick to do what's expedient on behalf of our culture of greed and hedonism. We're quite prepared to go to conditions of tyranny in order to sustain that culture, and we do it in the name of democracy, when nothing could be more undemocratic. We do it in the name of saving the values of our society, when the way we behave corrupts those values. We do it in the name of God in whom we believe, when in fact we have corrupted our own vision of the Christian journey.

I think America offers a dream that cannot be fulfilled as easily anywhere else in the world as it could be fulfilled here. Although oppression was common to all of us, those styles of oppression gave us the opportunity to see the world in dimensions we didn't quite see growing up in any one place.

We [Americans] move about the world arrogantly, calling wars when we want, overthrowing governments when we want. There is a price to be paid for it -- look at 9/11. [That] wasn't just bin Laden. Bin Laden didn't come from the abstract. He came from somewhere, and if you look where ... you'll see America's hand of villainy.

My formative years, until I was 12, was all shaped by Jamaican culture, by that economy, by the people in my family, who are agriculturalists, who were plantation workers, who harvested those crops and took them down to the boats run by the United Food Company, to load those ships at night, hence all the songs that I sing that come from that environment.

Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.