When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

I think now, with our technology, our capacity to grow food, our ability to stop raping the Earth and destroying the ecology and killing off fellow creatures, we have a chance to bring a new harmony and a new path to human development.

I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.

We [Americans] move about the world arrogantly, calling wars when we want, overthrowing governments when we want. There is a price to be paid for it -- look at 9/11. [That] wasn't just bin Laden. Bin Laden didn't come from the abstract. He came from somewhere, and if you look where ... you'll see America's hand of villainy.

Each and every one of you has the power, the will and the capacity to make a difference in the world in which you live in

Anti-democracy...is a virus that exists, and pro-democracy is the antibody to that virus, and I think we have to become vigilant, and we have to stay on top of the issues of democracy and freedom.

Each time we arrive at a new level in extricating ourselves from economic, social, spiritual domination, we have a moment when we dance in the world of these new experiences, only to find that the music soon stops, the dance ends, and we're struggling once again to save ourselves from being thrown back into those conditions.