Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.

There may have been great scripts, and perfect actors to fill the roles, but those pilot projects could be stopped at an earlier point. Now, damn near anything can get on the air, but who can get people to watch? There are a lot more choices, even if you get on the air.

The Black church is extremely important in Black America. I think most Americans themselves believe in a divine power, in a god, and I'm sure that that number increases with Black people.

I think that Hollywood is content with condescending to Black people, patronizing them, feeling sorry for us, and I think we're happy to take the pat on the head as a people and take whatever awards.

I think that in some ways there is no more important thing in my life outside of family and God.

The concept of 'purgatory' is in Catholic Church dogma, and most black people are not Catholic - mostly their Christian realities focus on heaven or hell. Purgatory is for the expiation of sin, the fact that you are there, and not in hell, means you'll eventually work your way to heaven. The experience of this play, 'Small oak tree', and its psychological architecture, relies on its knowledge of that. Many black people believe that this life, within itself, is a way to work out whatever obligations we have, in order to get to a better place.

There was a lynching case as late as 2011, so it's not as far away as we think. I think persecution by powerful structures, on a people who are marginalized, is not new. The idea of lynching is well known, and the way we present it in the play makes the lynching somewhat of a relief, compared to the barbaric treatment they were receiving as sharecroppers.