The most important thing in my life is that trying to ameliorate, redeem, the image in particular of African American men, or Black men - I don't really even like that term, "African American," because we're Black people.

I think that Hollywood is content with condescending to Black people, patronizing them, feeling sorry for us, and I think we're happy to take the pat on the head as a people and take whatever awards.

The concept of 'purgatory' is in Catholic Church dogma, and most black people are not Catholic - mostly their Christian realities focus on heaven or hell. Purgatory is for the expiation of sin, the fact that you are there, and not in hell, means you'll eventually work your way to heaven. The experience of this play, 'Small oak tree', and its psychological architecture, relies on its knowledge of that. Many black people believe that this life, within itself, is a way to work out whatever obligations we have, in order to get to a better place.

I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.

I think that in some ways there is no more important thing in my life outside of family and God.

Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.

People learn who they are by the images of themselves, the representations that they seek.