If hell comes as a result of my speaking the truth, then let it come.

My view is that "A Small Oak Tree Runs Red" is about putting people 'on the record,' who otherwise would have been forgotten, as a result of their bravery and love for one another. These characters demand justice, and they got punished for it. If we can correct that record in our artistic expression, in a poetic form such as this play, then that is our entire purpose and greatest benefit.

The Black church is extremely important in Black America. I think most Americans themselves believe in a divine power, in a god, and I'm sure that that number increases with Black people.

Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.

I think that Hollywood is content with condescending to Black people, patronizing them, feeling sorry for us, and I think we're happy to take the pat on the head as a people and take whatever awards.

The concept of 'purgatory' is in Catholic Church dogma, and most black people are not Catholic - mostly their Christian realities focus on heaven or hell. Purgatory is for the expiation of sin, the fact that you are there, and not in hell, means you'll eventually work your way to heaven. The experience of this play, 'Small oak tree', and its psychological architecture, relies on its knowledge of that. Many black people believe that this life, within itself, is a way to work out whatever obligations we have, in order to get to a better place.

People learn who they are by the images of themselves, the representations that they seek.