A friend to kill time is a friend sublime.

I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.

A life without pain: it was the very thing I had dreamed of for years, but now that I had it, I couldn’t find a place for myself within it. A clear gap separated me from it, and this caused me great confusion. I felt as if I were not anchored to this world - this world that I had hated so passionately until then; this world that I had continued to revile for its unfairness and injustice; this world where at least I knew who I was. Now the world ceased to be the world, and I had ceased to be me.

Gazing at the rain, I consider what it means to belong, to become part of something. To have someone cry for me.

No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.

You are entering a phase of your life in which many different things will occur...bad things that seem good at first and good things that seem bad at first.

The body is not the only target of rape. Violence does not always take a visible form, and not all wounds gush blood.