What the world needs is a set villain that people can point at and say, “It’s all your fault!

She was seriously in love, but she never made demands.

You know, the usual story. Once upon a time I was playing my harp by a spring when a fairy appeared out of nowhere, handed me a Beretta Model 92, and told me to shoot the white rabbit over there for target practice.

If, as the dowager had said, we are nothing but gene carriers, why do so many of us have to lead such strangely shaped lives? Wouldn't our genetic purpose-to transmit DNA-be served just as well if we lived simple lives, not bothering our heads with a lot of extraneous thoughts, devoted entirely to preserving life and procreating? Did it benefit the genes in any way for us to lead such intricately warped, even bizarre, lives?

[...] Shimamoto had her own little world within her. A world that was for her alone, one I could not enter.

My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other's self on the street - what do we have to say to each other? Hey there! Hi ya!That's about it. Nobody raises a hand. No one turns around to take another look.

It's true that at the time I was fond of Kurt Vonnegut and Richard Brautigan, and it was from them that I learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that I simply did not have the time to write sustained prose.