Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts.

But actually time isn't a straight line. It doesn't ave a shape. In all senses of the term, it doesn't have any form. But since we can't picture something without form in our minds, for the sake of convenience we understand it as a straight line. At this point, humans are the only ones who can make that sort of conceptual substitution.

Writing talent is similar to the art of chatting up a girl. You can improve to a certain degree through practice, but basically you are either born with it or you aren't.

I think certain types of processes don’t allow for any variation. If you have to be part of that process, all you can do is transform—or perhaps distort—yourself through that persistent repetition, and make that process a part of your own personality.

One heart is not connected to another through harmony alone. They are, instead, linked deeply through their wounds. Pain linked to pain, fragility to fragility. There is no silence without a cry of grief, no forgiveness without bloodshed, no acceptance without a passage through acute loss. That is what lies at the root of true harmony.

I wander though China. Without ever having boarded a plane. My travels take place here in the Tokoyo subways, in the backseat of a taxi... all of a sudden this city will start to go. In a flash, the buildings will crumble. Over the Tokyo streets will fall my China, like ash, leaching into everything it touches. Slowly, gradually, until nothing remains. No, this isn't a place for me.

Life is here, death is over there. I am here, not over there.