Instead of things I'm good at, it might be faster to list the things I can't do. I can't cook or clean the house. My room's a mess, and I'm always losing things. I love music, but I can't sing a note. I'm clumsy and can barely sew a stitch. My sense of direction is the pits, and I can't tell left from right half the time. When I get angry, I tend to break things. Plates and pencils, alarm clocks. Later on I regret it, but at the time I can't help myself. I have no money in the bank. I'm bashful for no reason, and I have hardly any friends to speak of.

Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.

At my core, there is nothing. Neither is it parched wastelands. At my core, there is love. I'll go on loving that ten-year-old boy named Tengo forever --- his strength, his intelligence, his kindness. He does not exist here, with me, but flesh that does not exist will never die, and promises unmade are never broken.

Have you ever had that feeling—that you’d like to go to a whole different place and become a whole different self?

Why do I act like this, agreeing when I really disagree, letting people force me to do things I don't want to do?

The Earth, time, concepts, love, life, faith justice, evil - they're all fluid and in transition. They don't stay in one form or in one place forever. The whole universe is like some big FedEx box.

No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.