Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. "Goodbye, Mr. Wind-Up Bird. See you again sometime.

Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.

George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.

There are ways of dying that don't end in funerals. Types of death you can't smell.

I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.

Kumiko and I felt something for each other from the beginning. It was not one of those strong, impulsive feelings that can hit two people like an electric shock when they first meet, but something quieter and gentler, like two tiny lights traveling in tandem through a vast darkness and drawing imperceptibly closer to each other as they go. As our meetings grew more frequent, I felt not so much that I had met someone new as that I had chanced upon a dear old friend.

If I choose to write about sheep, it's just because I happened to write about sheep. There is no deep significance.