I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.

Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas - none of them bother me. I don't care what banner they raise. But what I can't stand are hollow people. When I'm with them I just can't bare it, and wind up saying things I shouldn't.

I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.

What would tomorrow bring? I wondered. Both hands on the wheel, I closed my eyes. I didn’t feel like I was in my own body; my body was just a lonely, temporary container I happened to be borrowing. What would become of me tomorrow I did not know.

Having an object that symbolizes freedom might make a person happier than actually getting the freedom it represents.

All right, then, I thought: here I am in the bottom of a well.

In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities, but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevsky depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.