As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.

There are times when I don't take roles because I don't want to be perceived a certain way.

I have a lot of faith in President Obama. The thing that seems to be true of him is that he doesn't speak when you would expect him to speak. He's very measured in his response to things. He likes to get all the facts first before he shoots his mouth off. It makes me crazy; it makes a lot of people crazy.

When I went into 'Fiddler,' I wondered about the response I'd get - the backlash because I'm openly gay. There was none. I toured Canada and America, and not one single review suggested that I played the role gay or that I seemed anything but Tevye.

Theater has to resonate in your heart in a way that movies don't.

Is a gay play a play that has sex with other plays?

How often are the perpetrators of hate-crimes discovered to be self-loathing? Valued individuals do not strike out against strangers.