What fascinated me mostly about Mickey Cohen was that he, in his later years, hired someone to help him to comprehend literature, to help him to read better, to understand words better.

So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.

I read, I think, I play, I work. And all that thinkingand playing and reading comes into my art. I couldn't really sithere and delineate for you what the thought process is. I can perhapssay that literature, psychoanalysis and theater have been very valuableexperiences that have informed and nourished me along the way.

What fascinated me mostly about Mickey Cohen was that he, in his later years, hired someone to help him to comprehend literature, to help him to read better, to understand words better.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.

Everything is difficult, and everything worthwhile is difficult. A certain need, a need not unlike Mickey had: to know, to understand, and I had that need to understand and to know.