The way I see things, the way I see life, I see it as a struggle. And there's a great deal of reward I have gained coming to that understanding - that existence is a struggle.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

Well, it's such an intricate, beautiful script about eight professional robbers pulling a heist, and it deals with elements of betrayal, trust, instinct, and need for relationships.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

I've always found it not only easy, but enjoyable. It's necessary for us to reach out and I'm speaking for myself here. I certainly have a sense of responsibility to reach out to these people in the theatre who might look to someone like me for some guidance.

I mean, you work and you try and find the work that suits you the best and you enjoy the most.

Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way.