The way I see things, the way I see life, I see it as a struggle. And there's a great deal of reward I have gained coming to that understanding - that existence is a struggle.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.

My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

Everything is difficult, and everything worthwhile is difficult. A certain need, a need not unlike Mickey had: to know, to understand, and I had that need to understand and to know.

I believe every day when I wake up and go to bed and during my dreaming time there's some moment of truth that's in front of me that will always be in front of me until the end of days.