The way I see things, the way I see life, I see it as a struggle. And there's a great deal of reward I have gained coming to that understanding - that existence is a struggle.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.

You're working on being a father, so that is something that when you experience it you'll understand the profundity of wanting to protect something dear to you.

They have equal weight and you do the same work you'd do if you were playing a dramatic role.

I was out to have a good time and have some fun. It's a fun script and fun people are in the movie.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.