So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.

They have equal weight and you do the same work you'd do if you were playing a dramatic role.

That's like asking a cobbler if he's made too many pairs of shoes.

Well, it's such an intricate, beautiful script about eight professional robbers pulling a heist, and it deals with elements of betrayal, trust, instinct, and need for relationships.

My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.

What fascinated me mostly about Mickey Cohen was that he, in his later years, hired someone to help him to comprehend literature, to help him to read better, to understand words better.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.