I don't think about those things, really. I work hard on everything I do. Everything is a struggle, everything is hard, everything is difficult.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.

I mean, you work and you try and find the work that suits you the best and you enjoy the most.

She had said one time, make a choice and do it like Hercules. So if that is all of what is being offered, the idea is to always do it like Hercules and I always followed her advise and now I'm here talking to you.