I read, I think, I play, I work. And all that thinkingand playing and reading comes into my art. I couldn't really sithere and delineate for you what the thought process is. I can perhapssay that literature, psychoanalysis and theater have been very valuableexperiences that have informed and nourished me along the way.

So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.

To create characters, one must build background. And one of the tools we use is improvisation.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

I've always found it not only easy, but enjoyable. It's necessary for us to reach out and I'm speaking for myself here. I certainly have a sense of responsibility to reach out to these people in the theatre who might look to someone like me for some guidance.

Everything is difficult, and everything worthwhile is difficult. A certain need, a need not unlike Mickey had: to know, to understand, and I had that need to understand and to know.

I read, I think, I play, I work. And all that thinkingand playing and reading comes into my art. I couldn't really sithere and delineate for you what the thought process is. I can perhapssay that literature, psychoanalysis and theater have been very valuableexperiences that have informed and nourished me along the way.