My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.

You didn't hear the angels singing. It was brought down to Mother Earth, which is where it should be. And that led me to a lot of other reading.

Well, it's such an intricate, beautiful script about eight professional robbers pulling a heist, and it deals with elements of betrayal, trust, instinct, and need for relationships.

I believe every day when I wake up and go to bed and during my dreaming time there's some moment of truth that's in front of me that will always be in front of me until the end of days.

They have equal weight and you do the same work you'd do if you were playing a dramatic role.