I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist

American Splendor is just an ongoing journal. It's an ongoing autobiography. I started it when I was in my early 30s, and I just keep going.

You do not pursue potential conflict unless you hold power over your foe.

I don't write about certain arguments I have with my wife. I'd get my head torn off if wrote about certain things.

I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.

I don't think I made any really big mistakes; it's just that I chose something difficult to do. Looking back, I suppose I should be grateful that I got as far as I got.

Since about 1980 Kenny Werner has been one of jazz’s unsung heroes