I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist

I think the people who would be the least interested in my work would be people who read lots of comic books.

It's extremely seldom that anybody wants me to change what I've written about them. Generally I portray them in a good light, if they're friends

I wanted to write literature that pushed people into their lives rather than helping people escape from them.

There was a survey done a few years ago that affected me greatly. it was discovered that intelligent people either estimate their intelligence accurately or slightly underestimate themselves, but stupid people overestimate their intelligence and by huge margins. (And these were things like straight up math tests, not controversial IQ tests.)

Since about 1980 Kenny Werner has been one of jazz’s unsung heroes

I just continue to be kind of disappointed that people don't realize that and try and diversify the kind of work they are doing in comics.