I still write in literary Arabic but I try to rid it of the rhetoric, the symbolism, and the stuff that ordinary people don't understand.

I still write in literary Arabic but I try to rid it of the rhetoric, the symbolism, and the stuff that ordinary people don't understand.

In fact I didn't think about fear much at the time. I felt angry about everything that was happening around me: the violence of the dictatorship and the violence of society.

The Iran-Iraq war began the same year that I went to primary school, at the age of six.

I'm not much interested in prizes, whether from the Arab world or from the Western world. Writing is a very difficult process and I want to continue my work.

It's true that we in Iraq are now paying a heavy price as a consequence of senseless violence, but nonetheless there are many positive things happening generally on the part of people in Arab countries who were living in darkness and absolute silence because of dictatorship. The people in Arab countries are now speaking out and asking many questions about human rights, minorities, religion, democracy, "the other," and so on.

When my stories were translated into other languages and received good reviews in the international press and won prizes, some Arab festivals and newspapers began to take an interest in what I had produced. This sudden Arab interest is a form of hypocrisy and nonsense.