I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.

I'd like men to think about evolving into something more sophisticated, more seductive. To explore the possibility of an entirely new masculinity.

I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

I like the idea of paradox, between the authentic fabrics and sophisticated shapes and between masculine and feminine. I'm not so much for sportswear. I think it's over.

I like the ritual, the liturgy of a well-crafted, emotional fashion show. I will never be jaded with this side of fashion. The catwalk is pure anthropology, something like an esoteric encrypted parade. It can totally be replaced but it will be missed.

People always want an explanation about everything and I cannot give it to them. Because I don't know myself. 'Why did you do a pair of pants like that?' I have no idea. I'm not going to have a 20-minute political discussion about the necessity for slashed, painted leather jeans. Basically, I don't know more than you.

The iPad needs to catch up with Flash before I put a hand on it.