The perfect integrity of The NewYork Times, and its writers, is not precisely 'just silly nonsense,'

I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

I shared this idea that fashion starts with a movement, an allure: elusive, defined through perfect proportions.

Music defines decades, and quite clearly shapes the rhythm, vitality of fashion, attitude and social behaviors. The anthology, just like most of my work, from photography to fashion design, is about and around music.

Men's fashion has a certain heaviness in the fabrics and construction. But also there is a heaviness in the mentality.

I like it to stay very organic, and to remember a personal story behind all my subjects.

Sex is not a subject in my photographs, or would only be if it had to do with romance, sometimes vulnerability. The photographs are quite clearly about happiness, or search for happiness.