I have a great admiration and tenderness for Azzedine Alaia. I haven't seen him in a while, but I guess he must be still sewing some dresses at night.

I don’t like the collusion between high fashion design and high street. You have to know where you stand. I belong to luxury fashion. That’s what I’ve always felt and embraced. I like the best quality, the best fabrics and the most creative field in fashion. I will stay consistent. I belong to this world.

Music defines decades, and quite clearly shapes the rhythm, vitality of fashion, attitude and social behaviors. The anthology, just like most of my work, from photography to fashion design, is about and around music.

I'm going to design again, but I come back when it's the right project, so I keep my passion for it intact.

I'm so personally attached to all the characters I met and photographed over the years ... the anthology is like a photographic reliquary that could potentially preserve their grace, fierce joy, and restlessness.

I only like luxury fashion. You have to decide where you stand. I like well-made, authentic clothes, well-crafted tailoring. I also like the dream and fantasy of luxury, the exception and rarity of it. I have no interest at all in fast retail. It is ambiguous.

I have a great admiration and tenderness for Azzedine Alaia. I haven't seen him in a while, but I guess he must be still sewing some dresses at night.