I feel the written word, poetry and literature is just one of the most beautiful things that human beings do. So we have to fight for it.

When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.

I think of myself as Mirren rather than Mironova, absolutely. I am a Brit, really. I mean when I go to Russia and I do have, maybe it's a romantic fantasy. You know us actors, we're very good at romantic fantasies.

When I'm choosing projects to be a part of it's always a combination of so many different things. The primary thing is the director. But a very important element is, is it different enough from anything else I've ever done, or what I've last done.

Any role that's proactive is a great role, and action roles are by their very nature proactive. You get to do stuff. I hate sitting in a corner - I'd much prefer an action role in a popcorn movie rather than pining in a corner not doing anything.

There is that awful moment when you realize that you're falling in love. That should be the most joyful moment, and actually it's not. It's always a moment that's full of fear because you know, as night follows day, the joy is going to rapidly be followed by some pain or other. All the angst of a relationship.

Once a film gets into production, the actors sometimes begin to have more input than a writer does.