A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.

Two phrases I hate in reference to female characters are 'strong' and 'feisty.' They really annoy me. It's the most condescending thing. You say that about a three-year-old. It infantilises women.

People become more interesting from about 25 - they develop character and their personalities come out.

You know, he [Alan Rickman] played these very reserved, sometimes-cold, sometimes-threatening characters on the screen, but the reality of the man was incredible warmth and humor and generosity and wicked fun.

Fresh from a costume fitting, where I had been posing in front of the mirror assuming what I thought was a strong position - arms folded, butch-looking...you know - I met with the woman in charge of Holloway police station. She gave me the most invaluable advice: never let them see you cry, and never cross your arms. When I asked why, she said 'because it is a defensive action and therefore weak.

Gardening is learning, learning, learning. That's the fun of them. You're always learning.

Ill-informed intuition is fantastic - it's what great art is. So really old painters or writers or actors are brilliant, because they've finally reached the point when they can let go of al technique.