I was educated in London at Central Saint Martins and had this whole thing about getting together with a lot of international students. Twenty-three languages were spoken during our lunch breaks! The school was very open minded, you could do whatever you wanted. Some people loved that freedom, others got lost. Gareth Pugh was a classmate, and so was Peter Jensen.

I think all artists secretly hope their kids might do something safer and straitlaced: maybe my daughter 'll be a banker.

I think the British government's cutting back of arts funding is such a crime. I bet it will happen in Denmark soon, too.

Basically, my musical life is split between raving with drugged-up kids and reading obscure 75-year-old poetry, drinking very nice red wine with aged, graying men.

I designed New York boutique myself, the same as I designed the previous retail spaces in Copenhagen and Olso. The inspiration for the interior is similar to those, as well. Of course, I also build sets for my shows and other personal projects, so I think about how to design "space" often. I also do a lot of installations for other companies, have done pop-up projects, so transforming environments the Vibskov way is always a fun challenge.

I had a dream about building a house on a dock, composed from 100 triangles. You'd have to sail from room to room. And maybe the entrance would be the mouth of a whale.

I love sequencing and programming, and I'm drawn to drum 'n' bass music. I love James Murphy's productions - and hey, he wears my socks!