I was educated in London at Central Saint Martins and had this whole thing about getting together with a lot of international students. Twenty-three languages were spoken during our lunch breaks! The school was very open minded, you could do whatever you wanted. Some people loved that freedom, others got lost. Gareth Pugh was a classmate, and so was Peter Jensen.

Basically, my musical life is split between raving with drugged-up kids and reading obscure 75-year-old poetry, drinking very nice red wine with aged, graying men.

I had a dream about building a house on a dock, composed from 100 triangles. You'd have to sail from room to room. And maybe the entrance would be the mouth of a whale.

Because we're on the outside of everything, and we're a small group of countries - Scandinavia , we have a unique vantage point. We are extremely good at focusing our ideas into art and music and design that fits a global state of mind. Being observers of the rest of the world allows us to express something pure that goes beyond borders, beyond planets.

We make the patterns on the computer, but we also paint them by hand - it's a combination of digital and screen-prints. I'm trying to do as much as I can myself in the studio.

Humor is a good way in general to get people together, I think. Of course, Danish humor is more ironic and sarcastic altogether.

I think all artists secretly hope their kids might do something safer and straitlaced: maybe my daughter 'll be a banker.