When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.

The man who is forever disturbed about the condition of humanity either has no problems of his own or has refused to face them.

Music is the can-opener of the soul.

If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.

For the moment I can think of nothing— except that I am a sentient being stabbed by the miracle of these waters that reflect a forgotten world.

There is nothing strange about fear: no matter in what guise it presents itself it is something with which we are all so familiar that when a man appears who is without it we are at once enslaved by him.

As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie.