When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.

If men cease to believe that they will one day become gods then they will surely become worms.

It is the American vice, the democratic disease which expresses its tyranny by reducing everything unique to the level of the herd.

If the poet can no longer speak for society, but only for himself, then we are at the last ditch.

After all, most writing is done away from the typewriter, away from the desk. I'd say it occurs in the quiet, silent moments, while you're walking or shaving or playing a game, or whatever, or even talking to someone you're not vitally interested in.

Your whole past is like a long sleep which would have been forgotten had there been no memory, but remembrance is there in the blood and the blood is like an ocean in which everything is washed away but that which is new and more substantial even than life - reality.

When you meet the man [Brassai] you see at once that he is equipped with no ordinary eyes. And the sharpness of vision and depth of insight are revealed in Brassai's lifelong photographic exploration of Paris - its people, places, and things.