All my Calvaries were rosy crucifixions, pseudo-tragedies to keep the fires of hell burning brightly for the real sinners who are in danger of being forgotten.

To be cured, we must rise from our graves and throw off the cerements of the dead. Nobody can do it for another - it is a private affair which is best done collectively. We must die as egos and be born again in the swarm, not separated and self-hypnotized, but individual and related.

There are lone figures armed only with ideas, sometimes with just one idea, who blast away whole epochs in which we are enwrapped like mummies. Some are powerful enough to resurrect the dead. Some steal on us unawares and put a spell over us which it takes centuries to throw off. Some put a curse on us, for our st idity and inertia, and then it seems as if God himself were unable to lift it.

Surrealism is merely the reflection of the death process. It is one of the manifestations of a life becoming extinct, a virus which quickens the inevitable end.

Every man with a bellyful of the classics is an enemy to the human race.

There was another thing I heartily disbelieved in - work. Work, it seemed to me even at the threshold of life, is an activity reserved for the dullard. It is the very opposite of creation, which is play… The part of me which was given up to work, which enabled my wife and child to live in the manner which they unthinkingly demanded, this part of me which kept the wheel turning - a completely fatuous, ego-centric notion! - was the least part of me. I gave nothing to the world in fulfilling the function of breadwinner; the world exacted its tribute of me, that was all.

To know Paris is to know a great deal.