I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.

I don't listen to a huge amount of music generally. Partly because you've sat in a studio for 10 hours and then when you come home you just want to read a book, and listen to the sound of your central heating system.

I always talk about my ambition with music, and it's to sort of seduce people into listening to sounds they wouldn't normally listen to or want to hear.

The more you look into pigs the more you realize quite how everywhere they are. People come in contact with parts of pigs probably between 20 and 50 times a day. And that's before you even eat your dinner. And yet we just have a long string of negative words about them.

I've heard the sound of 70 condoms being scraped over the floor at the British Museum. It feels like being an adventurer. Why would you stay in your living room if you could go out and experience things no one's ever experienced?

I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.

I try to be original in every piece of music I do, and of course I probably fail every time.