I try to be original in every piece of music I do, and of course I probably fail every time.

I think I have a particular logic of my own that has to do with sound and sampling sound, and there isn't a great deal of music out there in that field. Whereas, harmonically and melodically, there's loads.

I try to be original in every piece of music I do, and of course I probably fail every time.

I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.

I've heard the sound of 70 condoms being scraped over the floor at the British Museum. It feels like being an adventurer. Why would you stay in your living room if you could go out and experience things no one's ever experienced?

Often people try and just consider music as music, in a musical context. People seem to forget that music is not just audio material - it's also the artwork, the packaging it comes in.

As I get older, everything feels like it's fundamentally connected, and once you've accepted the idea that business is right, and the free market - though there's never really been one - is right, then everything else just follows naturally from there.