We exploit celebrities by caring about shallow things like whether they've gotten a facelift. And we violate their children constantly. But we also love them in a way.

We exploit celebrities by caring about shallow things like whether they've gotten a facelift. And we violate their children constantly. But we also love them in a way.

Working with somebody who has a more interesting life than I do - and getting to take on that life temporarily - is an endlessly interesting way to have the experience of writing memoir.

There are certain jobs I don't take because I feel no connection to the person. But if somebody is open with me, and honest about their motivations, and has some level of self-awareness, then I'm going to understand them.

I’ve taken on some of the emotional weight of the stories I’ve worked on. I was writing about a very difficult time in the life of one of my clients and I burst into tears at a small, crowded café... I’m not a crier at all in my own life. Maybe that’s why I’m a ghostwriter.

I think that the celebrity memoir as a genre is looked upon as a lesser form. One of my missions as a ghostwriter has been to elevate that form. Maybe that sounds pretentious!

I don't think you can take a whole genre of very popular books and say, "This is all trash!" When we read a memoir that isn't by a celebrity, we feel like we're about to go on a journey and we don't know where the journey will lead. But when we read a memoir by a celebrity we feel like we already know the journey and we just want to travel it.