The artistโs memory is a dangerous, necessary thing. Never disavow what you see and remember-itโs your brilliant stock-in-trade: remembering, and making something out of it. Artists remember the world as it is, first, because you have to know what it is youโre reinventing; thatโs a rule, perhaps the only one: being cognizant of your source material.
Hilton AlsI really don't think we should dismiss a book because we feel messed about intellectually. Or emotionally. That's the writer's job!
Hilton AlsI think I'm just generally more interested in figuration than abstraction. I think that painting abstraction often feels like painting colors to me, whereas portraits always feel like something connected. I like the exchange, the collaborative aspect of sitter and subject for sure.
Hilton AlsI used to always love taking photos, but I would always give a camera away to someone else. Now I don't give the camera away anymore. It also takes a long time to develop a visual style, and I think that the things that I was imitating were people I love, like Judy Linn or Gerald Turner, and then it slowly started to become more myself.
Hilton AlsI had to re-write "Philosophy" a lot. It was more obscure than what's in the book now, even! Some things I had to go back to and excise my former self, who was even more dense. I think you should teach whatever you want, Brian! That's the point of books like White Girls, to help free our thoughts!
Hilton Als