The way I look at stories is often from far outside, like a god's point of view, and also very, very subjective.

I like the feeling of keeping people off-balance and having the audience not knowing where I'm coming from or keeping that mysterious.

A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.

Obviously the actors are incredible at being the audience surrogates in this crazy universe.

Even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.

Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.