A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.

That exact moment when you're about to realize that this might be a dream is my favorite thing.

I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.

If artists do have ideas, they're often not great.

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.