A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.

At the end of the day, if you don't identify with the main characters, no television show will work.

That exact moment when you're about to realize that this might be a dream is my favorite thing.

I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

The way I look at stories is often from far outside, like a god's point of view, and also very, very subjective.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.