Any work I do I think is important...like in acting there are no small parts- only small actors.

Pretty much at the age of 16, I realized acting wasn't going to be the vocation for me...too political not enough creative control. But I loved the craft and my father wanted me to get a college degree. Seemed natural to study what I loved and Marymount Manhattan has a wonderful theatre program, I highly recommend it! A lot of what I learned there I apply to my comicbook writing and pacing.

I record at the same place [Toe Rag or FatSounds Studios in London], with the same people [Liam Watson at Toe Rag and Ed Deegan at Fatsounds], every time. It makes it effortless, and another reason for the vast output when I do go in and record stuff.

I’ve got to do something about the way I look. I mean a girl just can’t go to Sing Sing with a green face.

Well, when I get it the only thing that does any good is to jump in a cab and go to Tiffany's. Calms me down right away.

If I could find a real life place to make me feel like Tiffany's, then I'd buy some furniture and give the cat a name.

Thoughts rearrange, familiar now strange.