I'm not interested in observed reality.
The artist who makes himself accessible is self-destructive.
A good play puts the audience through a certain ordeal.
You emerge from tragedy equipped against lies. After the musical, you're anybody's fool
I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.
I have plenty of political views and plenty of social and personal prejudices. I do not, however, value them.