Sound is not simply what we hear or play, but equally a feeling in the body
The underlying aim of practice . .is to create certainty through the development of high-quality listening.
. . when the initial excitement of playing starts to evaporate, good habits are needed to sustain the learning process.
Failing to remember is the primary reason for most performers' poor practising habits.
The most valuable practice aid is patience.
Good listening is always the first step in the process that creates technique and capability