The most valuable practice aid is patience.

The underlying aim of practice . .is to create certainty through the development of high-quality listening.

Failing to remember is the primary reason for most performers' poor practising habits.

Good listening is always the first step in the process that creates technique and capability

It is the height of professionalism to be able to make an ordinary piece of music sound good. When playing routine melodic studies the player must treat them as if they are musical value.

. . when the initial excitement of playing starts to evaporate, good habits are needed to sustain the learning process.

The most valuable practice aid is patience.