I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'

I'm a mad lover of sport. You cannot say a bad word to me about sports. So I know business is involved and I know it can be cynical, and, of course, I watch it, but for me it's pure.

To make films like 'X-Men' work commercially - and also have some class - is one of the hardest things there is to do. I want to be seen to be able to cross lots of genres and still be 'fair dinkum,' as we say in Australia, which means genuine and true and, well, unique.

The audience knows the truth, the world is simple. It's miserable, solid all the way through. But if you could fool them, even for a second, then you can make them wonder, and then you got to see something really special.

I always think the great parts outlive the actors that play them and that's a stage tradition, that goes back hundreds of years and it should be that way.

The moment your kid's born you realize no one knows anything. No one goes to classes. You just have a kid. You can read all the books you like, but unfortunately none of our kids have read the books so they don't care. You're basically making it up as you go along.

I think the most interesting question is, why do you act? I act because I have felt in acting some of the most free moments of my life...I think it's also one thing that scares me the most.