If I go to a party I don't feel like I have to be in the centre. But I do find myself quite often being placed in that position. Even when I was younger at school, I would be asked to make a speech. I don't remember putting up my hand and all that often but I'd just find myself there.

As a boy, I'd always had an interest in theater. But the idea at my school was that drama and music were to round out the man. It wasn't what one did for a living. I got over that.

One of things I'd love to do one day is a Shakespeare with Trevor Nunn. I've done musicals with him, but never Shakespeare. There's no one better.

I remember at one point being in fellowship, and everyone used to wear the fish symbol; it said you were a Christian. So I asked my father, 'Dad, why don't you wear that at work?' And he said, 'Your religion should be in your actions.' He set a great, great example.

I’ve broken a cardinal rule of art, music, and career paths: actors are supposed to act, and musicians are supposed to music. That’s how it works. You don’t buy fish from a dentist, or ask a plumber for financial advice, so why listen to an actor’s music?

Both my parents are English and came out to Australia in 1967. I was born the following year. My parents, and immigrants like them, were known as '£10 poms.' Back then, the Australian government was trying to get educated British people and Canadians - to be honest, educated white people - to come and live in Australia.

I once sang 'Summer Nights,' from 'Grease,' at a bar in Melbourne with John Travolta, who's a good friend of mine. He looked cool singing the part of Danny - sitting in an armchair, smoking a cigar - while I got stuck playing Sandy.