I know I'm not known as method. By nature I'm not a brooder. What I continue to use is a mixture of the English school, which is traditionally outside-in, and the more American way of working from the inside out.

I always think the great parts outlive the actors that play them and that's a stage tradition, that goes back hundreds of years and it should be that way.

Because I believe actually the more you do something, the less frightening it becomes because you start to realize the outcome is not as important as you think.

Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.

It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.

I was probably more scared of my high school exams than I was of the Oscars. At the time you think it's everything and if you don't do well, your life's over. Opportunities are gone. So the more you do it, the less the fear is present.

I just find the evangelical church too, well, restrictive. But the School of Practical Philosophy is non-confrontational. We believe there are many forms of scripture. What is true is true and will never change, whether it's in the Bible or in Shakespeare. It's about oneness.