I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.

Just because it's a bad job doesn't mean I need to do it badly.

It was the sheer variety of the pain that stopped me from crying out. It came from so many places, spoke so many languages, wore so many dazzling varieties of ethnic costume, that for a full fifteen seconds I could only hang my jaw in amazement.

I think pain is a very - it's an extremely hard thing to empathize moment to moment. And you often don't remember your own pain, you know, that moment that you broke a limb or you burned yourself or, I think, this is a common thing that women talk about with childbirth, that the memory of the pain is hard to summon up and relive, thankfully.

I think maybe even one of the reasons I became an actor was actually to hide. I mean, it sounds paradoxical because, of course, people are standing up in a public place and encouraging other people to look at them. So that's not the conventional definition of hiding.

You hope that your teenage self would like and forgive your 50-year-old self.

I feel like I'm working on an oil rig right now. I'm away from home a lot.